What the symbols in the ceiling reveal
The smell of oranges, wine, spices and venison, the sound of trumpets and court chatter are all gone. As are the furs, embroidered doublets and jewels. All that remains from the two great feasts of 1598 is the beautifully painted ceiling.
At that time Riddle’s Court, the McMorran family’s home, was the grandest house in Edinburgh. It even had its own garden in the Old Town’s tightly packed vennels. McMorran who built the house was a magistrate. He’d been killed in a riot three years earlier.
King James VI, and his wife Queen Anne of Denmark, along with the Town Council, chose Riddle’s Court to hold the two feasts. They were both in honour of the visit of Anne’s brother, Ulric Duke of Holstein. He was the ambassador for the Holy Roman Empire.
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The finest artists were commissioned to paint the ceiling. Its potent political symbols – The Scottish Thistle and the Imperial Eagle in particular – can still be seen today. To great excitement, we discovered new sections of the artwork in our current restoration.
The purpose of the royal feast was entirely diplomatic: James took every opportunity to promote his claim to succeed Elizabeth to the English throne. The support of the Holy Roman Empire was of huge importance. James achieved his goal in 1603, bringing about the famous Union of the Crowns.
The Town Council’s feast was more of an office party and is well documented in the city archives. It was an extravagant affair. Food and drink for many courses, cooks, porters, trumpeters and carriages all added up to 1103 Scots pounds – about £20,000 today. The bill included medical expenses for a few bumped heads – possibly too much of a good thing!
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Riddle's Court’s beautiful and atmospheric interiors make it a unique venue for exceptional events and spectacular entertaining.