Today this compact, panelled room is painted a smooth green. It is being used as an office space and lucky are those who work there with the presence of past centuries so tangible. In its heyday the room was panelled with paintings of decorative landscapes. When Anne, Duchess of Buccleuch bought Riddle’s Court in 1714 she commissioned a leading painter of the time, James Norie, to transform the Jacobean room with rural vistas.
The height of fashion then and a talking point over cups of tea at the Duchess’s salons, a generation or so on and the fortunes of Riddle’s Court in decline, the panels were seen as gloomy and dated. They were painted over – many times! At some point, several were wrenched from the wall and used as firewood one dark, icy night. The panels were rediscovered in the 1960s when The City of Edinburgh Council were renovating the building. They have now been restored and some are on display at the National Museum of Scotland.
Norie Room
Norie Room Ceiling Drawing 1896 ©HES
Norie Room
Archive photograph of Plaster work ©HES
Norie Room
Norie Room 1964 ©HES
Norie Room
Painted panels on display in National Museum of Scotland ©Helen Hughes
Sir Roderick Mackenzie
Of older origin and amazingly intact is the plastered ceiling. We believe it was commissioned by Sir Roderick Mackenzie of Prestonhall, who bought the house in 1684.
Sir Roderick was a monarchist and a supporter of the Stuart King, Charles II, who was restored to the throne in 1660 after Oliver Cromwell’s rule as Protector.
The royal cypher ‘CR2’ can be seen in the central circle. It is flanked by the crown and the Unionist symbols of the English Rose and the Scottish Thistle. There is some question over the date in that the way it is written could read 1648. But it’s more likely to be 1684 as that’s when Sir Roderick bought the Court.
"Good teaching begins neither with knowledge or discipline, but through delight"
Patrick geddes
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